NEWS
Cover Story: "Brett Mitchell talks about new SBSO season"
On the eve of his second season as music director of the Saginaw Bay Symphony Orchestra, Brett Mitchell sits down with 360 Main Street's Jeanne Lesinski to discuss the orchestra's 2011-12 offerings. To read this story, please click here.
Preview: SBSO's 2011-12 season
The cover story of the current issue of The Review features an in-depth interview with Brett Mitchell, as he previews of the Saginaw Bay Symphony Orchestra's upcoming 2011-12 concert season. To read this story, "Conductor Brett Mitchell picks up the baton for a season showcasing 'Purely Michigan' music," please click here.
Preview: "Brett Mitchell calls on Beethoven as he celebrates his first year with the SBSO"
The Saginaw News has published a preview of the final concert of Brett Mitchell's first season at the helm of the Saginaw Bay Symphony Orchestra. The concert, featuring Christopher Theofanidis's "Rainbow Body" and Beethoven's Ninth Symphony, will take place this Saturday evening at the Temple Theatre. To read this article, please click here.
Preview: "Saginaw Bay Symphony Orchestra readies for new season"
WNEM TV5 (CBS) has published a preview of the Saginaw Bay Symphony Orchestra's 2011-12 concert series. The season--called "Pure Music, Pure Michigan"--will be Brett Mitchell's second as music director. To read the article, please click here.
Preview: "Pianos, valentines, and more"
"360 Main Street" has published a preview of two upcoming Brett Mitchell performances: a solo piano recital at Saginaw's Castle Museum on Thursday, February 10, and his second subscription concert as music director of the Saginaw Bay Symphony Orchestra on Saturday, February 12. To read this article, please click here.
Preview: "3D glasses for the opera: Moores puts the Stars Wars into Magic Flute"
CultureMap has published a preview of the Moores Opera Center's upcoming production of Mozart's The Magic Flute, which opens tonight and runs for four performances through Monday, January 31. To read this article, please click here.
Preview: Brett Mitchell aims "to make the SBSO a truly 21st-century orchestra"
On the eve of his inaugural concert as Music Director of the Saginaw Bay Symphony Orchestra, , Brett Mitchell sits down with 360 Main Street's Jeanne Lesinski to discuss the orchestra's 2010-11 season, and his plans for the organization's future. To read this story, please click here.
Preview: A salute to Mexico's independence
"Inside the Houston Symphony" has published a blog entry previewing their upcoming performance saluting Mexico's independence, led by assistant conductor Brett Mitchell. To read this preview, please click here.
Preview: "Houston Symphony hosts its first 'Tweetcert'"
The Houston Chronicle has published a preview of the Houston Symphony's upcoming "Tweetcert." This concert will feature an interactive experience encouraging audience members to enjoy "live program notes" from conductor Brett Mitchell via Twitter throughout the evening. To read this article, please click here.
Preview: "Symphony Summer Series is like a day in the park"
Brett Mitchell is featured in a preview the Houston Chronicle has published about the Houston Symphony's upcoming summer concert series, including his concert with the orchestra this Thursday evening at Miller Outdoor Theatre. To read this article, please click here.
Preview: "Symphony candidate sees youth as a plus"
Brett Mitchell, a candidate for the position of music director at the Peoria Symphony Orchestra, leads the orchestra on April 24 at the Civic Center Theater.
The Journal Star (Peoria) has published a profile of Brett Mitchell in advance of his upcoming concert with the Peoria Symphony Orchestra:
Brett Mitchell, the next candidate in the Peoria Symphony Orchestra's music director search, said that a young face at the podium can be a plus.
"If you look at the list of candidates that the Peoria Symphony has brought this season, it's very clear that they are interested in reaching out to the next generation of concertgoers," said Mitchell of Houston, who leads the orchestra in a performance of Beethoven, Prokofiev and the music of contemporary composer Michael Torke on Saturday.
"We're all, relatively speaking, young. I think that's a great way to bring in young audiences. It seems like a superficial thing, but it's not and I'll tell you why. I go home on Monday night, if I can, and I watch 'House' just like everybody else. I'm excited about the last season of 'Lost' just like everybody else. I listen to top 40 radio just like everybody else. I think there is something really important - the relatability of the person on the podium."
Yet Mitchell, 30, is not just an "average Joe" who just happens to have a passion for classical music. Few rising conductors can impress the likes of conductor Kurt Masur, whom Mitchell can claim as a personal mentor and supporter. Connections to Masur led to three years of shuttling back and forth over the Atlantic while serving as assistant conductor for the French National Orchestra. And besides that world-class orchestra, Mitchell has led several other top-notch organizations: the London Philharmonic, the Philadelphia Orchestra and the Houston Symphony Orchestra, where he now serves as assistant conductor.
Nevertheless, Mitchell, who grew up in Seattle, hardly projects the image of a rarified know-it-all. His parents listened to not just classical but a variety of music, and he owes his fascination with orchestral sound to John Williams via movies like "Star Wars," "Superman," "E.T." and "Indiana Jones." In fact, for a time Mitchell wanted to be a film composer and studied composition at Western Washington University while taking lessons on his primary instrument, the piano, on which he is basically self-taught after having a few formal lessons when he was 6. (Mitchell broke out on his own because his piano teacher insisted that the young boy learn scales instead of songs.)
When he considered graduate school in music, however, Mitchell switched to conducting - partly because he decided he wasn't a young John Williams in the making. Also, he discovered he preferred collaborating with others.
"Playing the piano is a very solitary endeavor," Mitchell said. "You spend hours and hours alone in a practice room. The culmination of all that practice is that you go on stage alone again. Composition is a very solitary endeavor. You spend hours and hours alone writing your music. Once it's written, it's written. But with conducting - yes, I spend hours and hours alone studying these scores. But the end result is so different. The end result is that I get to work with 60, 80, 100 of my colleagues on these pieces. Then we get to perform them for one or two or three or five or 10,000 people. I'm such a people person. That just speaks to me and makes so much sense to me for who I am as an artist."
Not to mention the added benefit of spending a great deal of time with scores by Beethoven or Prokofiev - composers of genius. What job can be better than that?
After receiving a master's and doctoral degrees in orchestral conducting from the University of Texas at Austin, Mitchell went on to a varied career. Thanks to Kurt Masur, Mitchell received the inaugural Felix Mendelssohn Bartholdy Scholarship, which meant one-on-one study with Masur and helping the great conductor with concerts in Europe and America. He currently serves as assistant conductor/American conducting fellow of the Houston Symphony Orchestra.
Mitchell said that orchestras can broaden their audiences by being good representatives of their respective cities and regions. Programs, he said, should not be interchangeable: What is played in Chicago should be different from what is played in Dallas, because Chicago and Dallas are different places. For instance, the Peoria Symphony Orchestra might consider playing more music from local and regional composers as well as standards like Aaron Copland's homage to Abraham Lincoln.
"The Peoria Symphony Orchestra's programming should absolutely be reflective of Peoria and Illinois," Mitchell said. "Because otherwise we just become a symphony orchestra that just happens to be in Peoria. That is a huge mistake."
Beyond that, Mitchell would like to see collaborations with other dance, theater and other arts groups - projects he has tried to cultivate in his time with the Houston Symphony.
Mitchell, who also is in the running for the position of music director at Michigan State's Saginaw Bay Symphony Orchestra, said he's ready for a new stage in his career.
"I've had great music director experiences with my own orchestras - but they've been smaller orchestras," Mitchell said. "They've been largely academic orchestras, in a university setting, or a youth orchestra. I've had great professional orchestra experience, including with some of the greatest orchestras in the world. I've conducted the London Philharmonic. I've conducted the Philadelphia Orchestra. I work with the Houston Symphony. These are really sensational orchestras. I feel like the time is right for me to synthesize those two things - that great music director experience that I have and that great professional experience that I have. And become music director of one of the nation's really, truly great regional orchestras."
Preview: "Seattle native next to audition for SBSO post"
The Saginaw News has published a preview of Brett Mitchell's upcoming subscription concert with the Saginaw Bay Symphony Orchestra, as he auditions to become that orchestra's next music director. To read this article, please click here.
Preview: "Seven Conductors. One Baton."
Art & Society magazine (Peoria, Ill.) has published a preview of the Peoria Symphony Orchestra's 2009-10 season, during which Brett Mitchell will be the last of seven guest conductors vying to become that orchestra's next music director. To read this article, please click here.
Preview: "Houston Symphony ready to dive into concert"
The Houston Chronicle has published a preview of the Houston Symphony's upcoming performance of George Fenton's score for The Blue Planet, led by Brett Mitchell, which will be synchronized with a screening of the film at Jones Hall. To read this article, please click here.
Preview: "Baroque composers battle at Houston Symphony"
The Houston Chronicle has published a preview of the Houston Symphony's upcoming "Bach vs. Vivaldi" Festival, during which Brett Mitchell will conducting a family program with the orchestra. To read this article, please click here.
Preview: "Noted composer Kevin Puts to visit School of Music"
"Northern Today" has published a preview of composer Kevin Puts's upcoming multi-concert residency at the Northern Illinois University School of Music, a project spearheaded by Brett Mitchell. For more information, please click here.
"NIU Philharmonic invited to perform concert at Illinois Music Educators Association convention"
Northern Illinois University has issued a press release detailing the NIU Philharmonic's upcoming performance at the Illinois Music Educators Association convention, their first at the conference in over a decade. For more information, please click here.
Preview: "NIU Philharmonic to perform Mahler's beloved first symphony"
"Northern Today" has published a preview of the Northern Illinois University Philharmonic's upcoming performance of Mahler's Symphony No. 1, which will be the Philharmonic's first performance of a Mahler symphony in a dozen years. To read this preview, please click here.
Austin Chronicle: "Two UT School of Music doctoral candidates chosen to learn conducting from Maestro Kurt Masur
The Austin Chronicle has published an article about Brett Mitchell and fellow University of Texas conducting student Adam Boyles, two of only seven young conductors personally selected by Maestro Kurt Masur to participate in his first annual conducting seminar at the Manhattan School of Music earlier this month. To read the complete article, please click here.