Year in review: "The Colorado Symphony finds its next maestro"
Brett Mitchell, who will become music director of the Colorado Symphony in 2017, leading the Cleveland Orchestra in concert. (Photo by Roger Mastroianni)
Colorado Public Radio has listed Brett Mitchell's appointment as Music Director of the Colorado Symphony as the top classical music story of 2016:
The next music director of the Colorado Symphony is in his mid-30s, comes from the Cleveland Orchestra and fell in love with orchestral music partly because of John Williams’ film scores. Brett Mitchell will lead the symphony at Boettcher Concert Hall for [four] years beginning in September 2017. He replaces Andrew Litton, who left the symphony to take the helm of the New York City Ballet. Get to know Mitchell through our in-depth interview.
Also included in this article is an audio retrospective, transcribed below:
Mitchell: Even the very best orchestras and the very best conductors, sometimes when they get together, it just doesn't quite gel. But from the very first downbeat of our first rehearsal, the Colorado Symphony and I seemed to just hit it off gangbusters, so I couldn't have been more thrilled to get the call.
Announcer: It was a bit like love at first sight. After the Colorado Symphony announced a reduced role for music director Andrew Litton, the search began for a new music director, and one who would hopefully live in Denver and be here for a long time. Brett Mitchell conducted the orchestra this past summer. It was a concert of season previews for the upcoming season, and that's all it took before everyone gave the partnership a big thumbs-up.
Mitchell: The thing that the Colorado Symphony does so well that I experienced on the performance that we gave together back in July: There were ten little pieces in all of these different styles, and it was just amazing to me how easily the Colorado Symphony was able to shift between the styles of Richard Strauss and then Beethoven and then Brahms, but then also John Williams and Leroy Anderson. There's no weak spot in the Colorado Symphony's repertory, so that means that the kind of dreaming I can do in terms of what we're able to program is just totally unlimited, and that's very exciting to somebody that has as diverse a musical background as I do.
To read the complete article and listen to this retrospective, please click here.