Hailed for delivering compelling performances of innovative, eclectic programs, Brett Mitchell begins his tenure as Music Director of the Colorado Symphony with the 2017-18 season. Prior to this four-year appointment, he served as Music Director Designate during the 2016-17 season.
Mr. Mitchell's inaugural season as Music Director of the Colorado Symphony features such guest artists as Renée Fleming and Yo-Yo Ma, as well as a significant commitment to a broad range of American music, from Copland, Bernstein, and Gershwin to Kevin Puts, Mason Bates, and Missy Mazzoli. Other highlights include Mahler’s First Symphony, Stravinsky’s The Rite of Spring, Ravel’s complete Daphnis et Chloé, and Lutosławski’s Concerto for Orchestra. Mr. Mitchell will also lead Handel’s Messiah, Wagner/Maazel’s The Ring without Words, and a two-part celebration of the music of John Williams, featuring a program of Mr. Williams's concert works and a live-to-film performance of his score for Jurassic Park.
Also in consistent demand as a guest conductor, Mr. Mitchell's recent and upcoming engagements include the orchestras of Columbus, Dallas, Detroit, Houston, Indianapolis, Milwaukee, Oregon, Rochester, Saint Paul, San Antonio, and Washington (National Symphony Orchestra), among others. His Summer 2017 festival appearances included the Blossom Music Festival with The Cleveland Orchestra, the Grant Park Orchestra in Chicago, the National Repertory Orchestra in Breckenridge, the Sarasota Music Festival, and the Texas Music Festival in Houston. He has previously collaborated with such soloists as Rudolf Buchbinder, James Ehnes, Renée Fleming, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein.
Mr. Mitchell recently completed a four-year tenure as a member of The Cleveland Orchestra’s conducting staff. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2013 to 2017, Mr. Mitchell also served as the Music Director of the Cleveland Orchestra Youth Orchestra, performing full subscription seasons at Severance Hall, and leading the orchestra on a four-city tour of China in 2015, marking the ensemble's second international tour and its first to Asia.
From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony, to which he frequently returns as a guest conductor. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra, where an increased focus on locally relevant programming and community collaborations resulted in record attendance throughout his tenure.
As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake's Progress) to contemporary works by Adamo (Little Women), Aldridge (Elmer Gantry), Catán (Il Postino and Salsipuedes), and Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season.
Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him in as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010.
[September 2017. Please destroy any undated or previously dated materials.]